Sunday, December 28, 2008

The Issues of Brubaker's Run Christmas Carol




On the 1st issue of his run

Brubaker sent to me:


a Red-clad Vigilante

~~~


On the 2nd issue of his run
Brubaker sent to me:


Foggy getting Stabbed
and a Red-clad Vigilante

~~~


On the 8th issue of his run
Brubaker sent to me:


A new Matador
Foggy getting Stabbed
and a Red-clad Vigilante

~~~


On the 14th issue of his run
Brubaker sent to me:


Melvin going Nuts
A new Matador

Foggy getting Stabbed
and a Red-clad Vigilante

~~~


On the 18th issue of his run
Brubaker sent to me:


Mister Fear
Melvin going Nuts
A new Matador

Foggy getting Stabbed
and a Red-clad Vigilante

~~~


On the 19th issue of his run
Brubaker sent to me:


Many Artists Drawing
Mister Fear

Melvin going Nuts
A new Matador
Foggy getting Stabbed
and a Red-clad Vigilante

~~~


On the 21st issue of his run
Brubaker sent to me:


Ox and Wrecker Fighting
Many Artists Drawing
Mister Fear
Melvin going Nuts
A new Matador
Foggy getting Stabbed
and a Red-clad Vigilante

~~~


On the 24th issue of his run
Brubaker sent to me:


Milla beyond Saving
Ox and Wrecker Fighting
Many Artists Drawing
Mister Fear
Melvin going Nuts
A new Matador

Foggy getting Stabbed
and a Red-clad Vigilante

~~~


On the 28th issue of his run
Brubaker sent to me:


Crooked Feds Sniping
Milla beyond Saving
Ox and Wrecker Fighting
Many Artists Drawing
Mister Fear

Melvin going Nuts
A new Matador

Foggy getting Stabbed
and a Red-clad Vigilante

~~~


On the 30th issue of his run
Brubaker sent to me:


Dakota and Matt #*%ing
Crooked Feds Sniping
Milla beyond Saving
Ox and Wrecker Fighting
Many Artists Drawing
Mister Fear
Melvin going Nuts
A new Matador
Foggy getting Stabbed
and a Red-clad Vigilante

~~~


On the 31st issue of his run
Brubaker sent to me:


Master Izo Drinking
Dakota and Matt #*%ing
Crooked Feds Sniping

Milla beyond Saving
Ox and Wrecker Fighting
Many Artists Drawing
Mister Fear

Melvin going Nuts
A new Matador
Foggy getting Stabbed
and a Red-clad Vigilante

~~~


On the 32nd issue of his run
Brubaker sent to me:


Lady Bullseye Kicking
Master Izo Drinking
Dakota and Matt #*%ing
Crooked Feds Sniping
Milla beyond Saving
Ox and Wrecker Fighting
Many Artists Drawing
Mister Fear
Melvin going Nuts
A new Matador

Foggy getting Stabbed
and a Red-clad Vigilante.


Happy Holidays from F's Kitchen!



Tuesday, December 23, 2008

The Motivational Poster-Boy



I was about to add another "ordinary" entry, when it occurred to me that this blog has reached its 50th post. I thought that a moderately important milestone such as this deserved a little more than that, and so I decided to insert a post about one of the reasons why Daredevil is so important to me.

From this comic book - let the self-righteous cool guys laugh about it as much as they want - I get motivation. Whenever I don't get it directly, I try to indirectly find it, by relating to the main character.
I think that relating to a character such as Matt Murdock/Daredevil, is simplified (especially in the stories of these years) by the fact that the hero is constantly shown facing adversities.
It is just like our everyday lives. Yeah, I mean that. Let's put aside the shiny and cool view of the world that the internet commonly gives us. That one world made of funny pics and memes, of easy chicks, of permanent fun, where the biggest problem is to find the witty line to write on a comment thread or to get enough friends on myspace.
Let's put all that aside, at the cost of being labeled as party-poopers, and face it: everyday life is hard. Life is full of opportunities and encounters, certainly, but also of problems.
And sometimes it's nothing short of a succession of adversities. Just like Matt Murdock's life.
We could be tempted to say that it's like that for just about any superhero, or even any fictional character. It could be. But I think that with Daredevil, it all looks much less fake.
Every superhero is shown having problems, but somehow, often, we see the generic hero being done with it by the end of the storyarc, often without further consequences, often with the problem solved hastily with some Deus (or should I say Daemon?) ex machina, so that he can move into the next event/storyline.
Daredevil is not like that. His problems pile up on one another. His enemies are always there, planning his destruction. His past choices come back to haunt him, and there's never an event that can be said to fully close a circle.
This type of scenario is certainly more similar to the course of real life.
The problems never go away on their own. They eventually go away (and are subsequently followed by others showing up), but only if we fight our way through them.


But in order to do that - to have the strength to do that - you need motivation.
It can come in different forms. You can have your friends cheering you up. Giving you their support and confidence. Reassure you that you can make it through. That surely helps. But, at least in my case, at the end of the day you have to unlock that strength by yourself, from within. To that end, sometimes it's more effective something like what's shown in the panel above, of DD being ambushed by the Ox (from DD vol.2 #99, by Brubaker and Lark).

I found the wording used to translate that in Italian even more brutal, but also, for this reason, even more direct and cutting (my compliments to the adaptor, Giuseppe Guidi of Marvel Italia) :

- Non vali niente, Murdock!


Which retranslates as "you ain't worth anything, Murdock!".
A phrase like that, meant to scoff, can at times shake a person from apathy and discomfort better than any encouragement. When I first read that I remember being moved to the point that I would've died to add captions saying something like "What the *%&$ are you saying you moron, YOU are the one who's not worth anything and you're in for an enormous butt-kicking for having said that".

Sometimes, right after life hits you hard, so hard that you feel like you'll never have the strength to stand up again, much less to fight back, I can feel just like that. Like if some voice is mocking me, saying "you're not worth anything". And right after that, that small spark ignites, that pride that makes you reply "hell, no!", and thanks to which it becomes possible to get back up.
It's the "never give up" spirit so underlined by Frank Miller in his run, particularly in the Born Again storyarc, in which Matt's willpower allows him to fully get back on his feet from a state complete annihilation, despite his greatest enemy's efforts at keeping him down.


When I think about it, this is what I admire so much of Matt Murdock. His force of will. That iron will that has allowed him to rise from the ashes everytime. That willpower that can, by all means and purposes, be really considered what makes him a superhero, much more than his hypersenses, or his peak human condition. Again, Miller comes to mind. Heightened senses, fighting skills and acrobatics are just tools - he said in the mind-blowing "Roulette" story. To be a hero, the man who has them needs first to be inspired. In the fictional world he lives in, Matt's inspiration comes from his father, a man far from perfect or invincible, but whose lesson, of never giving up and always struggling to do what's right, he will never forget.
In the same way, in turn, I dare say that Daredevil's refusal to give up the fight despite how desperate the situation may be, and staying true to what he believes in, inspires me.


A small reflection now. The condition typical of the present-day Daredevil, with misfortunes coming upon the protagonist one after another, with the hero never having a moment of rest, his life seemingly perpetually on the verge of ruination, has reached by now a point where it has become somewhat iconic.
For this reason, comic book readers (or even writers) often come up with the conception that this "depressing, anguishing tone" of the book is what Daredevil fans actually expect from it (or even what they demand from it), and that all of it is a standard set by Miller (who redefined the character and all of that).

Both these conceptions, the way I see it, are erroneous.
While it is true that Miller redefined the character, and that he modified the tone to a darker, more serious one, the depressing, anguishing atmosphere and the heavy-handed "grim and gritty" "hard-boiled" tone of today's DD is a more recent redefinition, which can be entirely attributed to Brian Michael Bendis. That said, if such a tone is the definitive way to write Daredevil today, if it has been brought to its excess as of recent or not, is entirely debatable.
But, as a matter of fact, anyone could pick up some issues from Miller's run, compare their tone with that used in Bendis' and see that the difference in this regard is more than evident.

Regarding the fact that DD's most attached readers have actually come to like or even expect the fact that Matt's life is constantly put through hell, I consider that to be a misconception derived from a superficial look of it.
In my opinion, Daredevil fans don't like the fact that Matt's life is full of difficulties in itself. They instead like reading how, despite the many, enormous difficulties in his life, Matt is able to find the strength to take them all on, and how he refuses to give up, no matter how unescapable the situation may seem.

Troubles and adversities may come, as they do in real life. What really matters is the spirit with which the hero fights through them.
And whenever the author manages to convey that...


... it feels good.

Saturday, December 20, 2008

At Potter's Costume Shop...

- Yeah. I mean, already half a month has passed without new posts. Well, 'xcept for that dumb debate on Brubaker thing...

- Hell if I know. Heard he was taking a test or something. Look, so far he's been posting.. how many on average? Four a month? Five?


- But now it's already December 20th! Also, last month there hasn't been any Centrif-

- Melvin.




- Don't sweat it. More posts will come soon.



- Pleasure to hear your voice, F.


Saturday, December 13, 2008

Of Character Development and Chocolate Billy-clubs


Howdy, people.
This entry is intended as a reply to the debate started by Jon in his Me Geek, you Geek comic book blog and followed up by Christine in a dedicated post at The Other Murdock Papers. I thought that the idea of replying with a post in one's own blog was cool, so I copied it (in a way, it reminds me of the story mode of the game Starcraft, in which the story progressed with the changing of the point of view of the protagonists).

The object of the contention was the latest issue, DD #113, part three of the Lady Bullseye arc, in which, among other things, Matt meets and has a short fight with the new villainess for the first time. Jon's criticism, if I have gotten it right, is that there hasn't been enough DD in costume, in the preceeding issues and in this one, and that Daredevil gets portrayed as a "pansy", "getting his ass handed to him" by Lady Bullseye and getting saved only by the intervention of master Izo. I don't entirely agree with this, but I'll return to it later.
In a follow-up to this post, Jon continues by enumerating the rate of costume/action pages in the most recent issues, from #106 to #113 (all written by Brubaker, with the issues from #107 to #110 in cooperation with Rucka). Eight issues. We're talking about more than half a year worth of Daredevil stories, here.

Here's a passage from Christine's reply:

As I suspected, this DOES come down to a matter of taste. Good action that drives the story forward? By all means. Action scenes that take up page after page and eats up actual story progression and forces character development to take a back seat? No, thank you.

And here's another from a comment by Darediva to the first post:

Give me some good character introspection over asskicking in tights any day of the week. Well, maybe not on Saturday nights...

I'm aware that those I reported are just parts extrapolated from more integral replies (so bear with me), but what I wonder is, at the end of the day, does it come down to "action & costume time" versus "character development & introspection time"?
Also, are the two mutually exclusive?

The answer I gave myself to both of these questions after some reflection is no.
I don't really care about how much time the main character spends in or out of costume, or even how much time he spends fighting.
I do love a good fight scene, I think I do more than Darediva does, and probably more than Christine does. But what matters to me is what kind of fight scene.
What Matt does in it. If his abilities and his style are portrayed with consistency. If he's really shown for the amazing fighter he is. How the fight is coreographed.
Another important thing is how the reason behind his battle fits in the storyline.
In the light of all this, I do love when Matt fights to protect innocents. When he's shown as a great fighter, with a versatile style, mixing force, cunning and agility. As a fearsome opponent to face, hard to take down.
And, because of this, I don't like when he's shown to be fearsome only to flunkies or to the occasional street thug, or when he gets jobbed just because the plot requires so, with maybe a dumb excuse behind it ("oh, no! I can't focus when there's dog poo on the curb!"). I could do without these instances and the "action time" involved into it.

About the times when there's no action, the problem remains basically the same, only translated to the different situation.
What really matters remains what the main character does. Is he shown as the hero I recognize, admire, and even - I dare say - identify with?
I won't go into it, because it's pretty complex for me to explain (and I suspect, boring for you to listen) what kind of psychological representation I like of Matt/Daredevil. So I'll just provide two examples.

I liked a lot the "out of costume" moment when, in #110, Matt refused the reprimand Dakota's dad was unleashing on him and instead declared him how much he despised the corruption they were trying to keep covered and how he wouldn't have backed off from that fight for no reason. This moment, I enjoyed it better than any of the fight scenes in that storyline.

I dislike, instead, the general trend of having Matt insecure, troubled, and spending time to whine instead of acting.
I said it. That's what I don't like by now in Brubaker's run. Matt whines a lot. Whines instead of acting. And when he does act, often it's just "reacting" and thus playing right into the machiavellian games of his opponents, who are almost always shown to be one step ahead of him.
The sad thing is that this has affected pages of the recent storylines in a way that I don't enjoy them the way I hoped to.
Now, with the "Cruel and Unusual" storyarc, I don't know if it's because of some advice by Rucka, but I think that Brubaker has managed to regain some balance, in this sense.
As I said in Jon's first post, anyway, I'm still a little uncertain, as this may just be wishful thinking on my side. I used to believe a lot in Brubaker, back during "The Devil in Cell Block D". Eventually though, this honeymoon has rather abruptly ended, and now I'm sincerely afraid that Brubaker may pull off something that might again disappoint me.

We'll see. Some signs point toward Brubaker having regained the right grip again. For example, I don't agree on the fact that he "got his ass handed to him" by Lady Bullseye. I was afraid (see what I mean?) that the new villainess, being a debutting character, would have mopped the floor with DD, as a cheap way by the author to build her some credibility. Instead, Brubaker manages to make her a credible threat while at the same time showing that our hero is entirely capable of taking her on (a part of Matt believed he could take both her and four ninjas, before master Izo came and deprived him of all the fun).

So, this is what I think. Feel free to say yours - for this big comic book blog crossover ;) - in the comments below.